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To prevent Clara from dying, the TARDIS has to extend its force field to protect her, which drastically slows down its time travel and results in it arriving years too late with a visibly aged Doctor.

After materialisation, they are shown to be burning. At the conclusion of the episode " Face the Raven ", Rigsy decorates the TARDIS with painted flowers and a chalk drawing of Clara Oswald; when the Doctor dematerialises the retrieved TARDIS at the conclusion of " Hell Bent " , the painted flowers and picture remain for a moment before the picture blows away and the flowers flake and fall to the ground.

The Ninth Doctor uses his sonic screwdriver to trigger remotely "Emergency Program One", sending his human companion Rose Tyler to safety, while he stayed behind for a battle against the Daleks " The Parting of the Ways ", However, this trick is used in turn by the Empress of the Racnoss, which pulls the TARDIS from the creation of the Earth to only a few minutes after its initial departure.

The exterior dimensions can be severed from the interior dimensions under extraordinary circumstances. In Frontios , when the TARDIS is destroyed in a Tractator -induced meteor storm , the interior ends up outside the police box shell with various bits embedded in the surrounding rock.

The Fifth Doctor eventually tricks the Gravis , leader of the Tractators, into reassembling the ship. In " Father's Day " , a temporal paradox resulting in a wound in time throws the interior of the ship out of the wound, leaving the TARDIS an empty shell of a police box.

In " Turn Left " , the "Police Box" sign and all other text on the TARDIS is shown as replaced with the words " Bad Wolf ", as is all text in the universe; this is interpreted by the Doctor as an urgent warning concerning the end of the universe.

The TARDIS interior has an unknown number of rooms and corridors, and the dimensions of the interior have not been specified. In " The Doctor's Wife " , a fail-safe transfers any living creatures in "deleted" rooms to the main control room, and old and future control rooms can be "archived" by the TARDIS without the Doctor's knowledge.

Other rooms seen include living quarters for many of the Doctor's companions. However, the Seventh Doctor spin-off novel Deceit indicates that the Doctor rebuilt the Zero Room shortly before the events of that novel.

In some of [ clarification needed ] the First Doctor serials, a nearby room contains a machine that dispenses food or nutrition bars to the Doctor and his companions.

This machine disappears after the first few [ clarification needed ] serials, although mention is occasionally made of the TARDIS kitchen.

It has been speculated [43] that this is a mistake by the character and refers to its internal weight, as the external part of the TARDIS is at other times light enough for it to be lifted or otherwise moved with relative ease although most real police boxes were concrete and hence quite difficult to move : several men lift it up in Marco Polo , it is transported by truck and installed indoors by hand all off-screen in Spearhead from Space , it requires a fork-lift truck in Time-Flight and is lifted in the cargo hold of a Concorde in the same serial, a group of small blue maintenance workers on Platform One push it along the ground in " The End of the World " , a quartet of Weeping Angels are able to rock it back and forth in " Blink " , and in " The Day of the Doctor " it is lifted by a helicopter using a steel cable.

If the solid exterior of the TARDIS is moved or shaken after materialisation, the movement is usually transmitted to its interior [44] " The Impossible Astronaut ", , although there is a manual control to separate the internal gravity from the exterior's orientation Time-Flight , In the tie-in novels, the interior of the TARDIS has been known to contain an entire city, [46] encompass an entire parallel Earth, [47] and even dwarf Gallifrey itself when turned inside out.

The design of the roundels has varied throughout the show's history, from a basic circular cut-out with black background to a photographic image printed on wall board, to translucent illuminated discs in later serials.

In the secondary console room, most of the roundels were executed in recessed wood panelling, with a few decorative ones in what appeared to be stained glass.

Ever since the TARDIS was redesigned at the beginning of the series, there have been a range of different roundel designs around the console room.

These include circular holes that are recessed deep into the walls, hexagonal holes that are lit from behind each face, round indents with brass rings around the outside, and a glass centre that is illuminated blue.

Although the interior corridors seen throughout the original series were not initially seen in the series, the fact that they still exist was established in " The Unquiet Dead " , when the Doctor gives Rose some very complicated directions to the TARDIS wardrobe.

The wardrobe is mentioned several times in the original series and spin-off fiction, and seen in The Androids of Tara , The Twin Dilemma and Time and the Rani The redesigned version, from which the Tenth Doctor chooses his new clothes, was seen in " The Christmas Invasion " as a large multi-levelled room with a helical staircase.

The corridors were eventually seen in the episode "The Doctor's Wife". In " The Parting of the Ways " it was shown that this is connected to the powerful energies of the time vortex.

This room will remain ambiguous. The new roof includes a second crystal pointing towards the central column crystals.

The roof was created by production designer Dafydd Shurmer. It was originally called the "control room", being described as such in the stage directions of many scripts, and on air in such stories as The Masque of Mandragora , in which the Fourth Doctor says: "Do you know, this is the second control room.

The original console room was designed by Peter Brachacki. It was built on a shoestring budget and a tight schedule, which led to Brachacki leaving the show due to disagreements with the production team and possibly a feeling that he had been given an impossible task.

This new set, designed by Tim Gleeson, was disliked by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall.

However, as fate would have it, the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial.

Putting the console on a dais meant the cameramen no longer had to crouch for eye-level shots. However the set walls warped after it was put into storage at the end of production, and it had to be discarded.

In addition, a cavernous, well-furnished console room was used in the television movie Doctor Who In the series, the console room became a dome-shaped chamber with organic-looking support columns, and the interior doors were removed.

The change in configuration is explained in " Time Crash " by the Fifth Doctor as a mere changing of "the desktop theme " to "Coral" he also indicates that a "Leopard Skin" theme is also available, but he dislikes it.

Several episodes of the revived series, such as " Army of Ghosts " and the end of " The Unicorn and the Wasp " , reveal that there is storage space directly underneath the console room; the Doctor is shown periodically obtaining equipment from this area via a panel in the floor.

The console room was destroyed by the regeneration energy of the Tenth Doctor in the final scene of " The End of Time " —10 and cold open of " The Eleventh Hour " , although it makes a reappearance in the episode "The Doctor's Wife" as well as the 50th anniversary special " The Day of the Doctor ".

This console room has made the most appearances in the revived series, and is the most well known one. The active console room at a given time will be the one connected to the exterior doors for ingress and egress.

A third console room design was unveiled in the Christmas special " The Snowmen ". Though the central pillar is still connected to the ceiling — a design element introduced in the movie, and continued in the series — it is now joined to three circular connectors marked with Gallifreyan symbols that rotate clockwise and anticlockwise when the TARDIS is in flight.

Showrunner Steven Moffat stated that the new design was meant to be more 'scary' and machine-like than the previous bright orange design, which was more 'whimsical' to reflect upon the light-hearted and fairy-tale-like nature of the episodes following its introduction in " The Eleventh Hour ".

For instance, in " Hide " , Clara's statement that the TARDIS actively dislikes her is intercut with footage of its circular connectors spinning from the ceiling.

For the eighth series, Peter Capaldi's first as the Doctor, this console was still used but was tweaked and altered slightly, including the addition of a blackboard and bookshelves and the time rotor was changed to an orange colour replacing the blue.

A previously unseen version of the console room made an appearance in " The Day of the Doctor " and is associated with the War Doctor , portrayed by John Hurt.

This console room has walls that are similar in design to those first seen in , with multiple roundels illuminated from behind.

As seen in " Journey to the Centre of the TARDIS ", the console room is able to be replicated any number of times to create "echo rooms"; occupants in each of the different echo rooms will be able to feel the presence of the others in the forms of shadows and sounds, as the rooms are together for a brief second, with the rooms rapidly alternating between each other, "like a light switch The Virgin novels introduced a tertiary console room, which was described as resembling a Gothic cathedral Nightshade , Another novel Death and Diplomacy , suggested that the native configuration is so complex and irrational that most non-Time Lords who witness it are driven mad from the experience.

Throughout the programme's history there have been various attempts at humanising the console room by adding various accoutrements.

For example, a hatstand has often been located somewhere in the room, and at the beginning of the series an old clock appeared in the room as well.

In The Androids of Tara a cupboard containing fishing gear is shown nearby. In " The Rebel Flesh " , a dartboard is seen installed in the console room, and it is revealed in the episode " Vincent and the Doctor " that the console is capable of playing recorded music.

In keeping with the darker and more machine-like setting of the redesign of the console room, there is no hat-stand or bench; in "Hide", the Doctor and Clara both note that there is no longer anywhere in the room on which to hang Clara's umbrella.

The main feature of the console rooms, in any of the known configurations, is the TARDIS console that holds the instruments that control the ship's functions.

The appearance of the primary TARDIS consoles has varied widely but shares common details: hexagonal pedestals with controls around the periphery, and a moveable column or time rotor as it has been called in the original series and the episode " The Doctor's Wife " in the centre that bobs rhythmically up and down when the TARDIS is in flight, like a pump or a piston.

The secondary console was first seen in season 14 —77 of the original series. It had the controls hidden behind wooden panels and had no central column.

The television movie console also appeared to be made of wood and the central column connected to the ceiling of the console room. When the console appeared in it was circular in shape but still divided into six segments, with both the control panels and the central column glowing green, the latter once again connected to the ceiling.

The console has a much more thrown-together appearance than previous consoles, with bits of junk from various eras substituting as makeshift controls, including a glass paperweight, a locomotive style water sight glass and protector, a small bell, and a bicycle pump, the latter identified in the Tenth Doctor interactive mini-episode " Attack of the Graske " as the vortex loop control.

Three other controls—the dimensional stabiliser, vector tracker, and the handbrake—were also identified. Although the stabiliser had been mentioned before in the series, the canonicity of the mini-episode is also unclear.

As seen in " World War Three " , there is also a working telephone attached to the console. In the series, the new console includes items such as a washer-fluid bottle from a car and a typewriter keyboard.

The First Doctor did not initially seem to be able to steer it accurately, making only one intended landing to the planet Kembel in The Daleks' Master Plan —66 by using the directional unit taken from another TARDIS before the unit burns out.

This device was eventually removed in The Leisure Hive In the and later series, the Doctor is shown piloting the TARDIS at will, although writers continue to use the plot device of having the TARDIS randomly land somewhere, or imply that the TARDIS is "temperamental" in its courses through time and space, such as missing his intended mark by a century instead of in " Tooth and Claw " , making the mistake of 12 months instead of 12 hours in " Aliens of London " , getting the correct time but landing on the wrong continent London instead of New York in " The Idiot's Lantern " or even facing the wrong way blocked by a metal container in " Fear Her " He can also choose to "set the controls to random" as in " Planet of the Ood " Although the Eleventh Doctor 's spatial accuracy in " The Eleventh Hour " was spot-on, the TARDIS' malfunctioning helmic regulator prevents him from controlling the exact time he arrives at, first promising a young Amelia that he would be gone for only five minutes, but taking 12 years to return, and again when he intended to leave Amy for a short while to give the newly regenerated TARDIS a brief shakedown cruise , and ends up returning another two years in the future.

The Doctor in his eleventh incarnation was generally able to land the TARDIS with significantly superior accuracy to that of his predecessors.

He returned four times to the same spot in Amy Pond 's garden where he had crash-landed and originally met her. He delivered himself to the precise space-time location where the pair and, unbeknownst to them, their daughter River Song had summoned him; " Let's Kill Hitler " and his pin-point accurate landings repeatedly allowed him to catch River and save her life " The Time of Angels ", " Day of the Moon ".

In Inferno the Doctor accidentally rides the detached console into a parallel universe. The console can dispense Custard cream biscuits as of The Ghost Monument , The console in the Doctor Who Series 12 includes new screens that can project information onto a cloud of water vapour.

In "The Doctor's Wife", the "soul" of the ship is transferred into the body of a humanoid female called Idris, enabling the Doctor to have a conversation with his craft.

When he accuses the TARDIS of being unreliable, she defends herself by saying that she has always taken him where he "needed to go", as opposed to where he "wanted to go".

During their brief opportunity to converse, the TARDIS expresses both affection and frustration with the Doctor including annoyance that he pushes her doors open rather than pulls them open as the instructional sign on the outside indicates.

When asked by the Doctor if she actually has a name, she self-identifies with the name "Sexy", based upon what the Doctor calls her when he's alone in the ship she later introduces herself to the Doctor's companions using this name.

In this instance, after providing options including an image of himself and former companions, the TARDIS manifests as an image of Amelia Pond as a child.

The episode " Hide " revealed that the Doctor's TARDIS is capable of operating autonomously; in the storyline, Clara convinces the ship, simply by speaking to her, to enter a pocket universe to rescue the imperiled Doctor.

The Doctor is often seen with his head stuck in a panel carrying out maintenance of some kind or another, and he occasionally has to give it " percussive maintenance " a good thump on the console to get it to start working properly.

However, this characteristic seems to appear and disappear when dramatically convenient, and various companions have been seen to be able to operate the TARDIS and even fly it.

Despite the changes in the layout of the console controls, the Doctor seems to have no difficulty in operating the ship. In " Time Crash " , the Fifth Doctor is able to fly the TARDIS despite the layout being radically different from the one he was used to, at first without even noticing that the machine had changed.

In the episode " Utopia " , the TARDIS is taken by the Master and the Doctor is only able to use his sonic screwdriver to restrict the destination times to the last two previous selected destinations.

In the Big Finish Productions audio play Other Lives , the Eighth Doctor deactivates the isomorphism of the controls to allow his companion C'rizz to operate the console.

Apart from the sound that accompanies dematerialisation, in The Web of Fear , the TARDIS console was also seen to have a light that winked on and off during landing, although the more usual indicator of flight is the movement of the central column.

In the series the scanner display is attached to the console and is able to display television signals as well as various computing functions and occasionally what the production team [ who?

This control was originally a pan-dimensional 'surf board' taken from the Slitheen. The Doctor uses it again in the Christmas episode " The Runaway Bride ", to jar it a few hundred metres off course when being dragged back to the Empress of Racnoss, in a similar manoeuvre to that used in The Web of Fear with another extra device he plugged into the console.

In the television movie Doctor Who , access to the Eye of Harmony is controlled by means of a device that requires a human eye to open.

Why the Doctor would programme such a requirement is retroactively explained in the Big Finish Productions audio play The Apocalypse Element , where a Dalek invasion of Gallifrey prompts the Time Lords to code their security locks to the retinal patterns of the Sixth Doctor 's companion Evelyn Smythe.

Tegan Jovanka is unable to make sense of its contents, and Peri Brown later finds it propping open a vent. The usual function of the manual is to hold up a short leg on the Doctor's hat rack, though " Amy's Choice " features the Doctor revealing to have thrown it into a supernova, ostensibly due to disagreeing with it.

Despite its complexity, some companions with exceptional intelligence, such as Nyssa , or familiarity with technology, such as Turlough and Jack Harkness , have been depicted as assisting the Doctor with TARDIS operations.

In " Journey's End " , the TARDIS is shown to ideally require six pilots positioned at various stations around the central console to be piloted properly.

River Song claimed that leaving the "brakes" on is the cause of the de materialisation noise. In " The Time of the Doctor " , the Doctor is able to "turn the engines on silent".

The central column is often referred to [ by whom? However, the use of this term to describe the central column was common in fan literature, [ undue weight?

The current production team [ needs update ] uses the term in the same way. It was also referred to as the "time column" in Logopolis The television movie was the first appearance of the central column being attached to the ceiling.

After season 26, a new design for the TARDIS console room featured the console being suspended from the ceiling via the central column.

This design was never built because the show was cancelled before a 27th season was produced, but the set was used in a Doctor Who night presented by Sylvester McCoy , where a miniature was built and McCoy was superimposed into it.

Right now, that wooden door is just wood. Another device, a tribophysical waveform macro kinetic extrapolator, is installed to generate a force field in the episode " Boom Town " and is later used to protect the ship from Dalek missiles in " The Parting of the Ways ".

Another defensive feature is the Hostile Action Displacement System HADS , which can if switched on by the ship's operator teleport the ship away if it is attacked The Krotons , or in great danger " Cold War ", It is unclear if the Displacement and Dispersal functions are part of the same system, or if they are separate features.

The TARDIS's cloister bell is a signal used in the event of "wild catastrophes and sudden calls to man the battle stations" Logopolis , This had the practical effect of ensuring that no weapons can be used inside its environs; however, since then weapons have been fired in the console room in Earthshock , Attack of the Cybermen , " The Parting of the Ways " , and " Last of the Time Lords " , among others.

When confronted by Nyssa on this contradiction in Arc of Infinity , the Doctor responds, "Yes, well, nobody's perfect.

The Doctor explains on this occasion that the staser will not work within the field of a relative dimensional stabiliser , such as that found in the TARDIS.

The Doctor then admits that temporal grace is actually just a "clever lie. After successfully separating the two, the bow of the alien spaceship called Titanic , designed to look like the ship of the same name, smashes through the inside wall of the TARDIS before he can raise it again.

This occurred in the mini-episodes "Space" and "Time" both , when Rory Williams ' accidental dropping of a thermal coupling prompts the TARDIS' exterior to materialise within its interior, thereby trapping the ship and its occupants in a space loop.

Similarly, when damage to the interior of the TARDIS threatens the inhabitants it will materialise at the nearest safe environment and create an emergency exit, as seen in Terminus In " The Christmas Invasion " , it is revealed that the Doctor himself is an integral element of this capability.

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Another novel Death and Diplomacy , suggested that the native configuration is so complex and irrational that most non-Time Lords who witness it are driven mad from the experience.

Throughout the programme's history there have been various attempts at humanising the console room by adding various accoutrements.

For example, a hatstand has often been located somewhere in the room, and at the beginning of the series an old clock appeared in the room as well.

In The Androids of Tara a cupboard containing fishing gear is shown nearby. In " The Rebel Flesh " , a dartboard is seen installed in the console room, and it is revealed in the episode " Vincent and the Doctor " that the console is capable of playing recorded music.

In keeping with the darker and more machine-like setting of the redesign of the console room, there is no hat-stand or bench; in "Hide", the Doctor and Clara both note that there is no longer anywhere in the room on which to hang Clara's umbrella.

The main feature of the console rooms, in any of the known configurations, is the TARDIS console that holds the instruments that control the ship's functions.

The appearance of the primary TARDIS consoles has varied widely but shares common details: hexagonal pedestals with controls around the periphery, and a moveable column or time rotor as it has been called in the original series and the episode " The Doctor's Wife " in the centre that bobs rhythmically up and down when the TARDIS is in flight, like a pump or a piston.

The secondary console was first seen in season 14 —77 of the original series. It had the controls hidden behind wooden panels and had no central column.

The television movie console also appeared to be made of wood and the central column connected to the ceiling of the console room.

When the console appeared in it was circular in shape but still divided into six segments, with both the control panels and the central column glowing green, the latter once again connected to the ceiling.

The console has a much more thrown-together appearance than previous consoles, with bits of junk from various eras substituting as makeshift controls, including a glass paperweight, a locomotive style water sight glass and protector, a small bell, and a bicycle pump, the latter identified in the Tenth Doctor interactive mini-episode " Attack of the Graske " as the vortex loop control.

Three other controls—the dimensional stabiliser, vector tracker, and the handbrake—were also identified. Although the stabiliser had been mentioned before in the series, the canonicity of the mini-episode is also unclear.

As seen in " World War Three " , there is also a working telephone attached to the console. In the series, the new console includes items such as a washer-fluid bottle from a car and a typewriter keyboard.

The First Doctor did not initially seem to be able to steer it accurately, making only one intended landing to the planet Kembel in The Daleks' Master Plan —66 by using the directional unit taken from another TARDIS before the unit burns out.

This device was eventually removed in The Leisure Hive In the and later series, the Doctor is shown piloting the TARDIS at will, although writers continue to use the plot device of having the TARDIS randomly land somewhere, or imply that the TARDIS is "temperamental" in its courses through time and space, such as missing his intended mark by a century instead of in " Tooth and Claw " , making the mistake of 12 months instead of 12 hours in " Aliens of London " , getting the correct time but landing on the wrong continent London instead of New York in " The Idiot's Lantern " or even facing the wrong way blocked by a metal container in " Fear Her " He can also choose to "set the controls to random" as in " Planet of the Ood " Although the Eleventh Doctor 's spatial accuracy in " The Eleventh Hour " was spot-on, the TARDIS' malfunctioning helmic regulator prevents him from controlling the exact time he arrives at, first promising a young Amelia that he would be gone for only five minutes, but taking 12 years to return, and again when he intended to leave Amy for a short while to give the newly regenerated TARDIS a brief shakedown cruise , and ends up returning another two years in the future.

The Doctor in his eleventh incarnation was generally able to land the TARDIS with significantly superior accuracy to that of his predecessors.

He returned four times to the same spot in Amy Pond 's garden where he had crash-landed and originally met her. He delivered himself to the precise space-time location where the pair and, unbeknownst to them, their daughter River Song had summoned him; " Let's Kill Hitler " and his pin-point accurate landings repeatedly allowed him to catch River and save her life " The Time of Angels ", " Day of the Moon ".

In Inferno the Doctor accidentally rides the detached console into a parallel universe. The console can dispense Custard cream biscuits as of The Ghost Monument , The console in the Doctor Who Series 12 includes new screens that can project information onto a cloud of water vapour.

In "The Doctor's Wife", the "soul" of the ship is transferred into the body of a humanoid female called Idris, enabling the Doctor to have a conversation with his craft.

When he accuses the TARDIS of being unreliable, she defends herself by saying that she has always taken him where he "needed to go", as opposed to where he "wanted to go".

During their brief opportunity to converse, the TARDIS expresses both affection and frustration with the Doctor including annoyance that he pushes her doors open rather than pulls them open as the instructional sign on the outside indicates.

When asked by the Doctor if she actually has a name, she self-identifies with the name "Sexy", based upon what the Doctor calls her when he's alone in the ship she later introduces herself to the Doctor's companions using this name.

In this instance, after providing options including an image of himself and former companions, the TARDIS manifests as an image of Amelia Pond as a child.

The episode " Hide " revealed that the Doctor's TARDIS is capable of operating autonomously; in the storyline, Clara convinces the ship, simply by speaking to her, to enter a pocket universe to rescue the imperiled Doctor.

The Doctor is often seen with his head stuck in a panel carrying out maintenance of some kind or another, and he occasionally has to give it " percussive maintenance " a good thump on the console to get it to start working properly.

However, this characteristic seems to appear and disappear when dramatically convenient, and various companions have been seen to be able to operate the TARDIS and even fly it.

Despite the changes in the layout of the console controls, the Doctor seems to have no difficulty in operating the ship.

In " Time Crash " , the Fifth Doctor is able to fly the TARDIS despite the layout being radically different from the one he was used to, at first without even noticing that the machine had changed.

In the episode " Utopia " , the TARDIS is taken by the Master and the Doctor is only able to use his sonic screwdriver to restrict the destination times to the last two previous selected destinations.

In the Big Finish Productions audio play Other Lives , the Eighth Doctor deactivates the isomorphism of the controls to allow his companion C'rizz to operate the console.

Apart from the sound that accompanies dematerialisation, in The Web of Fear , the TARDIS console was also seen to have a light that winked on and off during landing, although the more usual indicator of flight is the movement of the central column.

In the series the scanner display is attached to the console and is able to display television signals as well as various computing functions and occasionally what the production team [ who?

This control was originally a pan-dimensional 'surf board' taken from the Slitheen. The Doctor uses it again in the Christmas episode " The Runaway Bride ", to jar it a few hundred metres off course when being dragged back to the Empress of Racnoss, in a similar manoeuvre to that used in The Web of Fear with another extra device he plugged into the console.

In the television movie Doctor Who , access to the Eye of Harmony is controlled by means of a device that requires a human eye to open.

Why the Doctor would programme such a requirement is retroactively explained in the Big Finish Productions audio play The Apocalypse Element , where a Dalek invasion of Gallifrey prompts the Time Lords to code their security locks to the retinal patterns of the Sixth Doctor 's companion Evelyn Smythe.

Tegan Jovanka is unable to make sense of its contents, and Peri Brown later finds it propping open a vent. The usual function of the manual is to hold up a short leg on the Doctor's hat rack, though " Amy's Choice " features the Doctor revealing to have thrown it into a supernova, ostensibly due to disagreeing with it.

Despite its complexity, some companions with exceptional intelligence, such as Nyssa , or familiarity with technology, such as Turlough and Jack Harkness , have been depicted as assisting the Doctor with TARDIS operations.

In " Journey's End " , the TARDIS is shown to ideally require six pilots positioned at various stations around the central console to be piloted properly.

River Song claimed that leaving the "brakes" on is the cause of the de materialisation noise. In " The Time of the Doctor " , the Doctor is able to "turn the engines on silent".

The central column is often referred to [ by whom? However, the use of this term to describe the central column was common in fan literature, [ undue weight?

The current production team [ needs update ] uses the term in the same way. It was also referred to as the "time column" in Logopolis The television movie was the first appearance of the central column being attached to the ceiling.

After season 26, a new design for the TARDIS console room featured the console being suspended from the ceiling via the central column.

This design was never built because the show was cancelled before a 27th season was produced, but the set was used in a Doctor Who night presented by Sylvester McCoy , where a miniature was built and McCoy was superimposed into it.

Right now, that wooden door is just wood. Another device, a tribophysical waveform macro kinetic extrapolator, is installed to generate a force field in the episode " Boom Town " and is later used to protect the ship from Dalek missiles in " The Parting of the Ways ".

Another defensive feature is the Hostile Action Displacement System HADS , which can if switched on by the ship's operator teleport the ship away if it is attacked The Krotons , or in great danger " Cold War ", It is unclear if the Displacement and Dispersal functions are part of the same system, or if they are separate features.

The TARDIS's cloister bell is a signal used in the event of "wild catastrophes and sudden calls to man the battle stations" Logopolis , This had the practical effect of ensuring that no weapons can be used inside its environs; however, since then weapons have been fired in the console room in Earthshock , Attack of the Cybermen , " The Parting of the Ways " , and " Last of the Time Lords " , among others.

When confronted by Nyssa on this contradiction in Arc of Infinity , the Doctor responds, "Yes, well, nobody's perfect.

The Doctor explains on this occasion that the staser will not work within the field of a relative dimensional stabiliser , such as that found in the TARDIS.

The Doctor then admits that temporal grace is actually just a "clever lie. After successfully separating the two, the bow of the alien spaceship called Titanic , designed to look like the ship of the same name, smashes through the inside wall of the TARDIS before he can raise it again.

This occurred in the mini-episodes "Space" and "Time" both , when Rory Williams ' accidental dropping of a thermal coupling prompts the TARDIS' exterior to materialise within its interior, thereby trapping the ship and its occupants in a space loop.

Similarly, when damage to the interior of the TARDIS threatens the inhabitants it will materialise at the nearest safe environment and create an emergency exit, as seen in Terminus In " The Christmas Invasion " , it is revealed that the Doctor himself is an integral element of this capability.

Rose is unable to understand the alien Sycorax whilst the Doctor is in a regenerative crisis. In the Ninth Doctor Adventures novel Only Human , the telepathic field includes a filter that replaces foul or undesirable language with more acceptable terms.

It also affects the translation of accents: in " Vincent and the Doctor " , a translated Scottish accent is heard by a Dutchman and understood as a Dutch accent.

The translation circuit does not always function, even for the Doctor. In Four to Doomsday , the Doctor is unable to understand the Aboriginal language spoken by a tribesman and the Doctor's companion Tegan.

In Carnival of Monsters the Doctor is unable to understand Vorg when he tries to speak to him in Polari. Similarly, Martha Jones is initially unable to understand the Hath in the episode " The Doctor's Daughter " and although she is eventually able to communicate with them, the audience is never allowed to understand their words.

The Doctor's TARDIS is also explicitly said to have died in the episode " Rise of the Cybermen " , though the Doctor is able to revive it by giving up some of his life energy reducing his life expectancy by a decade in the process.

Other abilities the TARDIS displays include creating snow via "atmospheric excitation" " The Runaway Bride ", and, through a "chameleon arch", engineering an almost witness protection -style relocation [ original research?

In " The Doctor's Wife " , the TARDIS's intelligence is temporarily transferred to a humanoid body, during which time it is shown to possess a degree of precognition as well as limited telepathic abilities and a genuine fondness for the Doctor and his companions.

This episode also demonstrates that certain capabilities of the physical TARDIS are operable independently of its intelligence, in particular the physical TARDIS's internal password security system which is language-independent, relying on meanings rather than the words themselves and ability to travel between "bubble universes".

This was featured in two Virgin novels, Iceberg and Sanctuary The first was that of the Monk , another Time Lord who appears in the serial The Time Meddler , which is disguised as a block of ice.

The chameleon circuits on these were fully functional, and his TARDISes have been seen in various forms, including a fully functional spacecraft, a Concorde aircraft, an Adjudication flyer, a grandfather clock , a computer bank, a fireplace , a Doric pillar , [nb 7] a lorry , a statue able to move and walk around , a laurel tree , an iron maiden , a wall, an out-of-date space locker, a horsebox , a white cube, a black Rolls-Royce limousine with darkened windows, a bulkhead door aboard the HMS Redoubt , the Stone of Sacrifice in the cavern of the church at Devil's End, a fridge, a filing cabinet, a control panel, a wardrobe, a tank, a red pillar box , a police box similar to the Doctor's TARDIS , a three-sided column, a wooden beach hut, a statue of Queen Victoria, a red telephone box, a transport crate, a palm tree, and a white pillar.

This console was covered in an array of clock-like dials, featured a long spiral staircase leading far above the console, and connected to a nearby room resembling a Victorian library and study.

However, due to incomplete information, his copy of the TARDIS a short range transporter is called a "Stardis", resembled a portaloo rather than a police box, and is not dimensionally transcendental.

In Unregenerate! This would have created living TARDIS pilots loyal to the Time Lords and ensuring that they would have ultimate control over any use of time travel technology by other races.

Those created before the project is shut down depart on their own to explore the universe. It's probably been there for 30 years.

I suppose in years he'll be able to begin the carving process". It is not capable of time travel. In " The Lodger " a vessel, which the Doctor identifies as a somebody's attempt to build a TARDIS, lures in unsuspecting people to pilot its controls, all of whom die due to humans being incompatible with the process.

The same interior was used by the Silence in " Day of the Moon " and the similarity commented on by the Doctor as he enters , but the intended connections between the two are still mostly unknown.

He still requires energy from Idris in order to make it work. The console used for this episode was designed by the winner of a Blue Peter competition in In " Hell Bent " , the Doctor once again escapes from Gallifrey, which had been safely put in another dimension and later returned to the universe, by stealing a TARDIS, which initially has the external appearance of a grey cylinder with a sliding door.

Ashildr mentions that she has not yet understood how to get the chameleon circuit working, meaning that this TARDIS is at least temporarily stuck in the form of an American diner, in which disguise it is revealed to have been the setting for that episode's frame story.

In the two-part serial The Temptation of Sarah Jane Smith , Sarah Jane becomes trapped in and briefly mistakes an actual police public call box for the Doctor's TARDIS the moment is even heralded by the Doctor's musical cue, frequently used in the revived series.

It makes a full appearance in The Wedding of Sarah Jane Smith , in which the Doctor briefly welcomes Sarah Jane's three adolescent companions into the control room.

It reappears in Death of the Doctor , where is stolen by the Shansheeth who try to use it as an immortality machine, and transports Sarah Jane, Jo Grant and their adolescent companions Rani Chandra , Clyde Langer and Santiago Jones.

As one of the most recognisable images connected with Doctor Who , the TARDIS has appeared on numerous items of merchandise associated with the programme.

TARDIS scale models of various sizes have been manufactured to accompany other Doctor Who dolls and action figures, some with sound effects included.

Fan-built full-size models of the police box are also common. From Wikipedia, the free encyclopedia. Fictional time-travelling device.

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